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Kunisada was far and away the most
prolific Japanese artist of the 19th century or for that matter any other
century. Roger Keyes addressed this fact when discussing Osaka prints.
"The only regional prints to seriously
rival those of Edo on their own ground of quality in design, engraving, and
printing, were those produced in Osaka. But in a century of the study and
collecting of Japanese prints, those of the Osaka school have been virtually
ignored. There are several reasons for this neglect: the first being their
scarcity. Between the 1790s and the late 1800s some two hundred Osaka
artists produced between ten and fifteen thousand single-sheet print
designs. This does not seem to argue rarity, but in the mid-nineteenth Edo
three popular artists, Kunisada, Kuniyoshi, and Hiroshige each designed well
over ten thousand single-sheet prints, and Kunisada , was active for sixty
years, may have designed over twice this number, not to mention book
illustrations." (1)
Sebastian Izzard iterated what Keyes had
said. "Kunisada's vast output - he is thought to have designed over 20,000
different prints - has made serious study of his work difficult." (2)
1. World of Osaka Prints, by Roger
S. Keyes and Keiko Mizushima, Philadelphi Museum of Art, 1973, p. 16.
2. Kunisada's World, by Sebastian
Izzard, Japan Society, Inc., 1993, p. 40. |