JAPANESE PRINTS
A MILLION QUESTIONS
TWO MILLION MYSTERIES
Ukiyo-e Prints
浮世絵版画
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Port Townsend, Washington |
UTAGAWA
TOYOKUNI I |
歌川豊国 |
うたがわとよくに |
1769-1825 |
Subject: This may be a
scene from the play
"Mirror Mountain: A
Women's Treasury of Loyalty" |
Kagamiyama Kokyō no
Nishiki-e |
加賀見山 (旧錦絵) |
カガみやま |
Right Panel: Nakamura
Daikichi I |
中村大吉 |
なかむらだいきち |
Center Panel: Onoe
Kikugorô III |
尾上菊五郎 |
おのえきくごろう |
Left Panel: Ichikawa
Monnosuke III |
市川門之助 |
いちかわもんのすけ |
Date: Circa 1815-20 |
SOLD! |
There is a scene in the play "Mirror Mountain" where Kirishima, the head
lady-in-waiting to the villainess Iwafuji, says to Ohatsu, the loyal
maidservant to Onoe:
"Oh, look, Ohatsu! There in the garden are lots of chirping sparrows."* |
*Quoted from Kabuki Plays on Stage: Villainy and Vengeance, 1773-1799,
edited by James R. Brandon and Samuel L. Leiter, University of Hawaii Press,
vol. 2, 2002, p. 183. |
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Note #1: We are not sure
about the iconography of this scene,
but are trying to find
a definitive answer. |
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Note #2: There is also
a possibility that this represents a scene from a Kagamiyama related
play called Yayoi no Hana Onna Hinagata. |
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Ichikawa Monnosuke |
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市
川
門
之
助 |
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The detail of the head of Onoe above shows a broken outline on the face.
This is a clear indication that this is not a first edition of this triptych
because originally such thin lines would have been printed with greater solidity.
However, when a
print was popular and sold out quickly the publisher must have seen the
economic advantage of printing a new edition. Since the average edition
would have been something like 150 to 200 copies the finer lines would begin to
break down under such repetitious applications of pressure and moisture. To compensate
for the loss of line integrity the publisher would occasionally ratchet up the color
scheme. Since all prints exposed to the light over an extended period of
time fade this triptych must have been even more stunning when freshly
pulled. |
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中
村
大
吉 |
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Nakamura Daikichi I |
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尾
上
菊
五
郎 |
Onoe Kikugorô III |
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