JAPANESE PRINTS
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MYSTERIES
Ukiyo-e Prints
浮世絵版画
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Port Townsend, Washington |
UTAGAWA
TOYOKUNI III |
三代歌川豊国 |
さんだい.うたがわ.とよくに |
1786-1865 |
Series: A Selection of
the Twelve Months |
Mitate juni kagetsu no
uchi |
見立て十二ヶ月ノ内 |
みたてじゅうにかげつのうち |
Publisher: Iseya
Kanekichi |
伊勢屋兼吉 |
いせや.かねきち |
Carver: Yokogawa Takejirō |
よこがわ.たけじろう |
Date: 1859, 11th Month |
Ansei 6 |
安政6 |
Size: 14 1/2"
x 9 7/8" |
Signed: Ichiyōsai
Toyokuni hitsu |
署名: 一陽斎豊国筆 |
しょめい:
いちようさいとよくにひつ |
The still life inset
at the top of print is by Utagawa Kunihisa (歌川国久 or
うたがわ.くにひさ). Kunihisa (1832-91)
was Toyokuni III's son-in-law. The inset is signed Kunihisa ga.
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Condition: It would
appear that this and the other prints in this series had been bound
into an album. That would not only explain the relative freshness of the
colors, but also the areas along the right side of the print where the
binding holes have been restored. Other than that the print
is in a good state with only very slight areas of distress and with slight
soiling. |
$620.00 |
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A SELECTION OF THE TWELVE MONTHS |
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WE ARE OFFERING FIVE OF SIX OF THIS SERIES,
BUT NOT THE FOURTH ONE FROM THE LEFT WHICH IS ALSO THE THIRD ONE FROM THE
RIGHT. |
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Below is a metal
kettle known as a choshi (銚子or ちょうし) used for warming and serving sake. |
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PAPER BUTTERFLIES |
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FEMALE |
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MALE |
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Ivan Morris in his
fascinating book The World of the Shining Prince: Court Life in Ancient
Japan says of Shintoism that its "...central themes are joyful
acceptance of the natural world and gratitude for its bounty, coupled with a
horror of illness and death, which are regarded as the source of all
pollution." (1) Morris states that at the time of Heian period
Shintoism "...had not philosophical, speculative, or ethical elements; no
elaborate ritual or priestly hierarchy; no saints, martyrs, or even a
founder; no scripture or exegesis; no interest in education and art - in
fact, no positive, constructive aspect whatsoever. So vague and amorphous
was the native religion that not until Buddhism appeared in Japan did it
even acquire a name - Shin-to ('the way of the gods'), as opposed to
Butsu-dō ('the way of Buddha')." (2) |
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On the left is a very
small detail from a pentaptych by Hokusai of a New Year's celebration at the
Ōgi-ya house in the Yoshiwara. Included among the various images rich in
symbolism such as the shi-shi, i.e., lions and the multiple Daruma dolls are
the two saké containers atop a lacquer table greeting us at the top of the
steps. Adorning each of the vessels are the origami butterflies, both
male and female. |
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Above is a detail of
the hairline of the dominate figure of this print. We have reproduced it here so you can get a better impression of the finer areas of woodblock
carving. Notice the finer lines at the top edge of the forehead. What does
not come through is the embossing found in the white cloth which is
tied off on the top of the head. |
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