JAPANESE PRINTS
A MILLION QUESTIONS
TWO MILLION MYSTERIES
Ukiyo-e Prints浮世絵版画 |
formerly Port Townsend, Washington now Kansas City, Missouri |
PUBLISHERS ECHIZENYA THRU G
To go to our other publishers pages click on the stamps below |
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A thru Ebiya |
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H thru Imariya Ushizō |
Ise Mago thru J |
K thru Kyōji |
Maruya thru Murataya |
N thru S |
T thru Uoya |
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Wakasaya to Z |
PUBLISHER |
KANJI |
KANA |
LOCATION |
EXAMPLE |
SEAL |
ARTISTS |
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DATES |
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Echizenya Hachiemon (Firm name - Honkindō 本錦堂) Marks #043 |
越前屋 八右衛門
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えちぜんや はちえもん
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Edo
The print shown to the right is not one we have offered. The image has been sent to us from a private collection. We are grateful for this contribution to our site. |
Marks seal #21-031
Marks notes that this seal was used in 1851. |
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Kuniyoshi & Toyokuni III |
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Andreas Marks gives the dates as ca. 1849 to 1853
Note that the dates shown above do not jive with the two seals ascribed by Marks to this house. |
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The Kuniyoshi diptych to the right is from the Museum of Fine Arts, Boston. It dates from 1851. |
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Marks seal #08-036
Marks notes that this seal was used between 1849 and 1851. |
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Echizenya Kihei (Seal name - Etsukichi 越吉) Marks #047 |
越前屋喜兵隊
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えちぜんや きへい
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Edo
The print shown to the right is from the Lyon Collection. Click on it to see more information. |
Marks seal #01-052 |
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Eisen, Kunikane, Kuninao, Kunisada, Kuniyasu, Toyokuni II |
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Andreas Marks gives the dates as ca. 1828-29. |
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Edoya Matsugorō (Seal names - Ematsu 江松 and Edomatsu 江戸松) Marks #048 |
江戸屋 松五郎 |
えどや まつごろう |
Edo
The print shown to the right is not one we have offered. The image has been sent to us from a private collection. We are grateful for this contribution to our site. |
Marks seal #25-191
Marks gives no specific dates for this seal. |
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Hiroshige, Kunisada, Kuniyoshi, Toyokuni I |
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Andreas Marks gives the dates as the mid-1820s to 1841 |
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The Kuniyoshi print to the right is from the Museum of Fine Arts, Boston. |
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Closest to Marks seal #20-013
Marks gives no specific dates for this seal. |
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Eijūdō (aka Nishimura Yohaichi) |
永寿堂 |
えいじゅどう |
Edo
The print shown to the right is not one we have offered. The image has been sent to us from a private collection. We are grateful for this contribution to our site. |
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Hiroshige |
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Eikyūdō (aka Yamamotoya Heikichi) |
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Edo |
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Eizan, Hiroshige, Kunisada, Kunisada II, Toyokuni I, Toykuni II |
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As early as 1816 or earlier to as late as the 1830s |
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The carver Hori Chō worked on blocks for Kunisada II for this publisher in 1865. |
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Enomotoya Kichibei (Firm name - Hōeidō 豊栄堂) Marks #054 |
榎本屋 吉兵衛 |
えのもとや きちへい |
Edo
The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #01-053
Marks notes that this seal was used between 1786-1830. |
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Eiri, Eishi, Eishō, Hokusai, Ikku, Kunihiro (b), Kunimasa, Kuninao, Kunisada, Kuniyasu, Kuniyoshi, Masanobu (b), Masayoshi ( b), Shun'ei ( b), Shuntei ( b), Toyokuni ( b), Toyokuni II, Toyomaru, Utamaro
A (b) means as a |
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Andreas Marks gives the dates of ca. 1786 to 1844. |
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Enshūya Hikobei (Seal name - Enhiko 遠彦) Marks #055
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遠州屋 彦兵衛
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えんしゅうや ひこべい
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Edo
The triptych shown to the right from the Lyon Collection.
Click on it to see more information about it.
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Marks seal #21-016
Marks notes that this seal was used between 1851-1860s. |
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Gengyo, Hiroshige, Hiroshige II, Kunichika, Kunihisa II, Kunisada II, Kunitaka, Kuniyoshi, Kyōsai, Sadahide, Toyokuni III, Yoshiiku, Yoshimori, Yoshitora, Yoshitoshi, Yoshitsuru, Yoshitsuya |
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Andreas Marks gives the dates as ca. 1847 to the 1867 |
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Hori Take is known to have carved for this
house in 1861.
Hori Dai worked for them in 1863 carving a
Yoshiiku block. Toyo carved Kunisada II in 1864; Hori Masa in 1861-62 and 1865. |
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Enshūya Matabei (Seal name - Enmata 遠又) Marks #057 |
遠州屋 又兵衛 |
えんしゅうや またべい |
Edo/Tokyo
The print shown to the right is not one we have offered. The image has been sent to us from a private collection. We are grateful for this contribution to our site. |
Marks seal #01-031
Click on the seal above to go to a page with a diptych by Kuniyoshi which we added Aug. 9, 2005 and which displays the same seal.
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Bunchō, Fusatane, Hiroshige, Hiroshige II, Kunihisa II, Kunimasa Kunisada, Kunisada II, Kuniteru II, Kuniyoshi, Sadahide, Utamaro, Yoshiiku, Yoshitsuna |
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Andreas Marks gives the dates as ca. 1768 to 1881 |
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The Kuniyoshi triptych to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #22-009
Marks notes that this seal was used between 1845-60s. |
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The 1869 Kunichika fan print to the right is from the Japan Arts Council. There is no link to this print. |
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This seal is not in Marks.
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Etsuka Andreas Marks says that Etsu-ka is the seal name of this publisher. (The publisher's name is Echizenya Kaju 越前屋嘉十 or えちぜんやかじゅう) Marks #045 |
越嘉 |
えつか |
Edo/Tokyo |
Marks seal #23-017
Marks gives no specific dates for this seal. |
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Chikuyōdō, Kuniaki, Kuniaki II, Kunichika, Kunihisa II, Kunisada II, Kunitsuna, Kuniyoshi, Sadahide, Toyokuni III, Yoshitsuya |
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Andreas Marks gives the dates as ca. 1860-1868 |
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In the 12th month of 1860 this publisher took over the firm of Maruya Kinzō (丸屋金蔵). |
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The carver Hori Chō worked on blocks for Kunisada II and Toyokuni III for this publisher between 1861-3; and on Kunichika prints in 1863. |
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Ezakiya Kichibei (Seal name - Eichi 江吉 - firm name - Tenjudō - 天寿堂) Marks #058 |
江崎屋 吉兵衛 |
えざきや きちべい
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Edo
The print to the right is the right-hand panel of a Kunisada diptych from the Lyon Collection.
Click on it to see the whole diptych and to learn more. |
Marks seal #21-091
Marks notes that this seal was used between 1807-45.
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Bunrō, Eisen, Eizan, Hiroshige, Hokusai, Kiyomitsu II, Kunimaru (b), Kuninaga, Kunisada, Kuniyasu, Kuniyoshi, Sadafusa, Sadahide, Sadamasu, Sadatora, Shinsai, Shūchō, Shun'ei, Shuntei, Toyokuni I, Utamaro, Yoshitama |
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Andreas Marks gives the dates as ca. 1773-VI/1852 |
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The Shūchō print to the right is from the collection of the Museum of Fine Arts, Boston. |
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Marks seal #21-209
Marks notes that this seal was used in the 1790s. |
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The Bunrō print to the right is from the collection of the Museum of Fine Arts, Boston. |
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Marks seal #21-091
Marks notes that this seal was used between 1807-45. |
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The Hokusai print to the right is from the collection of the Museum of Fine Arts, Boston. |
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Marks seal #08-001
Marks notes that this seal was used between the 1780s-1820s. |
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Ezakiya Tatsuzō (Seal name: Etatsu 江辰 - firm name: Sengyokudō 専玉堂) Marks #059 |
江崎屋 辰蔵 |
えざきや たつぞう |
Edo
The print shown to the right is not one we have offered. The image has been sent to us by our great friend Mike Lyon.. To see it as his web site click on the publisher's seal. |
Marks seal #21-092 |
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Eisen, Eizan, Hiroshige, as Kunisada and Toyokuni III, Kunitomi, Kuniyasu, Kuniyoshi, Sadahide, Sadanobu, Sadatora, Shunchō (fl. 1815-23), Shuntei, Taito II, Toyokuni I, Toyokuni II, Yoshitora |
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Marks gives the dates as ca. 1822-1852 |
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The Kuniyosh print to the right appeared in 1832. This sealappeared on a Hiroshige print in ca. 1840-42. It appeared as early as 1831 on a Kunitomi print. It may have been on another print as early as 1815-23.
There is no link to the image to the right.
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Marks seal #02-006 and/or at #04-001
Marks states that this seal was used between 1832-44. |
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The seal to the right appears on a Hiroshige print in the Museum of Fine Arts, Boston. It dates from ca. 1841-44.
The MFA identify this seal as being that of Ezakiya Kichibei. |
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Marks seal #25-196
Marks states that this seal was used between 1841-42. |
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The seal to the right appears on a Sadatora triptych in the Museum of Fine Arts, Boston. Click on the image to see more information.
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Marks seal #22-073
Marks states that this seal was used in 1841-45. However, the MFA says that the triptych to the left may date from the 1830s. |
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Fujiokaya Hikotarō (Seal name - Fujihiko 藤彦; firm name - Shōgendō 松原堂) Marks #062 |
藤岡屋 彦太郎 |
ふじおかや ひこたろう |
Edo |
Marks seal #01-036
Marks notes that this seal was used between 1807-45. |
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Hiroshige, Kunimaro I, Kunisada, Kuniyoshi, Shunshō II |
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Marks gives the dates as ca. 1832-1851.
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Horikō Fusajirō worked as a carver for this house on Kuniyoshi prints in the mid to late 1840s. |
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The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #22-014
Marks notes that this seal was used between 1838-40?. |
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The Shunshō II triptych to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #26-122
Marks notes that this seal was used in 1839. |
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The Hiroshige print to the right is from the Museum of Fine Arts, Boston.
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This seal is not in Marks. |
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The seal to the right appeared on a Hiroshige print in ca. 1840.
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Marks seal #12-045
Marks notes that this seal was used between 1839-42. |
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Fujiokaya Keijirō (Seal name - Fujikei 藤慶, firm name - Shōrindō 松野堂, Mizuno Shoten 水野書店 from the 1880s, family name - Mizuno Keijirō 水野慶次郎) Marks #063 |
藤岡屋 慶次郎 |
ふじおかや |
Edo/Tokyo |
Marks seal #21-026
Marks notes that this seal was used between 1847-61. |
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Fusatane, Gengyo, Hiroshige I, Hiroshige II, Hiroshige III, Hokui, Ikumaru, Kuniaki, Kuniaki II, Kunichika, Kunihisa II, Kunimaro, Kunisada II, Kunisato, Kuniteru, Kuniyoshi, Kyōsai, Sadahide, Toyokuni III, Yoshifuji, Yoshiharu, Yoshiiku, Yoshikazu, Yoshimune, Yoshinao, Yoshinobu, Yoshisato, Yoshitora, Yoshitoshi, Yoshitoyo |
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Andreas Marks gives the dates as ca. 1843-1923 |
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Hori Take worked for this house in 1859 and 1861. Hori Mino worked for them in 1852 and 1856.
Hori Kane carved |
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"Fujiokaya Keijirō is one of the few publishers about whom detailed information is available. The reason for this lies in the family records published by his successors. [¶] Fujiokaya Keijirō I (1823-1883) was the younger brother of the publisher Fujiokaya Hikotarō. [See the publisher's entry above this one.] Fujiokaya Keijirō started in the publishing business around 1843 with warrior prints by Kuniyoshi.... He managed to get all three leading Utagawa artists working for him from the start and they designed prints as well as book illustrations." The business under the leadership was Keijirō IV was destroyed in the Great Kantō quake of September 1, 1923. Source and quotes from: Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680-1900 by Andreas Marks, p. 284.
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The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #26-104
Marks notes that this seal was used between 1852-54. |
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The 1862 Yoshiharu print to the right is from the Museum of Fine Arts, Boston |
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Marks seal #25-455
Marks notes that this seal was used between 1861-65. |
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This 1864 Fusatane triptych is from the collection of Waseda University. |
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Marks seal #25-454 Marks says this seal was used between 1861 and 1864. |
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Fujita Marks U050
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ふじ太 |
Osaka
The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #21-180
Marks notes that this seal was used in 1832. |
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Hokkai, Sadanobu | |||||
Andreas Marks gives the dates as ca. 1832 to 1840
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Fujiya Masashichi Marks 065
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富士屋 政七 |
ふじや まさしち |
Osaka
The print to the right is from the Lyon Collection. Click on it to go to its full page.
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Marks seal #25-496
Marks gives no dates for this seal. |
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Sadanobu II, Toshinobu, Yorimitsu, Yoshitaki, Yoshiyuki |
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Andreas Marks gives the dates as ca. 1863 to Oct. 1884
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Fukuda Kumajirō (Firm name - Gusokuya 具足屋) Marks #071 |
福田 熊次郎 |
ふくだ くまじろう |
Tokyo |
There is no link to the Kokunimasa triptych shown above. |
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Chikanobu, Chikashige, Fusatane, Ginkō, Ikuhide, Kiyochika, Kokunimasa, Kunichika, Kunisada III, Kuniyasu, Kyōsai, Seisai, Toshimitsu, Toshinobu, Yoshiiku, Yoshimori II, Yoshimune, Yūsai Toshiaki |
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Andreas Marks gives the dates as 1874 to x/1898 |
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Carvers known to have worked for this house: Hori Yata on Kunichika in 1875-76 and 1897; Tsumie to on Kiyochika in 1895. |
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Fukuda Kumajirō co-published with Asano Bunsaburō (朝野文三郎) a Kokunimasa triptych in 1894. |
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Marks says that this publisher was previously Gusokuya Kahei and that it became Fukuda Hatsujirō. | |||||
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This seal was used on a Kunichika print in 1896 |
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We know that this seal was used on a Kunisada III print and that of one by Fusatane in 1877.
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Funazu Chūjirō (Seal name - Kinju Kaisha 錦寿会社, firm name - Kinjudō 錦寿堂) Marks #077 |
船津 忠次郎 |
ふなつ ちゆうじろう |
Tokyo |
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Chikanobu & Yoshitoshi |
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Andreas Marks gives the dates as ca. 1877 to 1882 |
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Fushimiya Zenroku (Seal name -Fushizen; firm name - Daikondō 大觀堂; family name - Namikawa Zenroku 並川善六) Marks #080 |
伏見屋 善六 |
ふしみや ぜんろく |
Edo/Tokyo
The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #13-005
Marks notes that this seal was used between 1825-40. |
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Chikanobu, Eisen, Kiyonaga, Kunichika, Kunisada, Kunitomi, Kuniyasu, Kuniyoshi, Nobukazu, Sadafusa, Shunchō, Shungyō, Shunman, Shunshō, Utamaro |
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Andreas Marks gives the dates as ca. 1740s to ca. 1914 |
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Hori Yasu carved Kunichika prints for this house in 1864. |
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There is a Shunchō print in the Museum of Fine Arts in Boston that carries both this publisher's seal and that of Nishimuraya Yohachi. It dates from 1787. | |||||
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The print to the right is from the Lyon Collection. Click on it to go to its full page. |
Marks seal #01-106
Marks notes that this seal was used between 1820-21. |
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Gusokuya Kahei Marks #085 |
具足屋 嘉兵衛 |
ぐそくや |
Edo/Tokyo
The triptych to the right is now in the Lyon Collection. Click on it to see more information.
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Marks seal #24-031
Marks notes that this seal was used between 1866-74.
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Ginkō, Hiroshige II, Hiroshige III, (as Kunisada II and Toyokuni IV),
Kunisada III Kunichika, Kuniyoshi, Toyokuni III, Yoshitora, Yoshiiku, Yoshimori |
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Marks dates this house from ca. 1843-74. |
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Marks says that this publisher became Fukuda Hatsujirō. |
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It is also possible that Gosukaya Kahei may have experimented with printing lithographs during the Meiji period. | |||||
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The seal to the right was used on a Toyokuni III print in 1865. |
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The seal to the right was used on a Kunichika print in 1867. It is from the collection of the Museum of Fine Arts, Boston.
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The seal to the right was used on this Kuniyoshi print in 1844. There is no separate link to this picture. |
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The seal to the right was used on this Kuniyoshi print in 1843.
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CLICK ON THE BACK OF THE BAREN SHOWN ABOVE TO GO TO FIRST PUBLISHERS PAGE WHERE THEY ARE ARRANGED ACCORDING TO SHAPES! |