Ukiyo-e Prints

浮世絵版画

Kansas City, Missouri

PUBLISHERS

T to Uoya Eikichi

To go to our other publishers pages click on the stamps below

A thru Ebiya

Echizenya thru G

H thru Imariya Ushizō

Ise Mago thru J

K thru Kyōji

Maruya thru Murataya

N thru S

Wakasaya to Z

CLICK ON THE IMAGES OF THE PRINTS SHOWN BELOW

TO SEE LARGER EXAMPLES.

PUBLISHER

KANJI

KANA

LOCATION

EXAMPLE

SEAL

ARTISTS

DATES

Takadaya Takezō

(Seal name: Kintake

錦竹)

Marks #509

高田屋竹蔵

たかだや

たけぞう

Edo

The print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #07-038

Marks notes that this seal

was used between  the

1852-1853.

Kuniyoshi,

Toyokuni III,

Yoshiiku

Andreas Marks gives

the dates as ca. 1851-61

Hori Chōsen carved one of the blocks for this publisher's Kuniyoshi Tokaidō series in 1853. Not the one to the far right.

Takahashiya Takakichi

(Firm name: Bun'eidō

文栄堂)

Marks #512

高橋屋高吉

たかはしや

たかきち

Edo

The print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #01-127

Marks notes that this seal

was used in 1844.
However, this dating
may be a little too

restrictive.

Kuniyoshi,

Ryūsai Masazumi,

Yoshitsuya

Andreas Marks gives

the dates as ca. 1844-47.

However, the
Museum of Fine Arts

in Boston give a

slightly longer range -

ca. 1843-48.

Takanoya Tomoemon

( Seal name:

Takatomo 高友)

Marks #515

高野屋友右衛門

たかのや

ともえもん

Edo

The print to the right is

from the collection of

the Museum of Fine Arts,

Boston.

Click on it to go to its

full page.

Marks seal #25-206

Marks notes that this seal

was used from 1844-55.

Kunimaro,

Kuniyoshi, Toyokuni III,

Yoshitora

Andreas Marks gives

the dates as ca. 1844-64

Takasu Sōshichi

(Firm name:

Fuyōdō 芙蓉堂)

Marks #517

高須宗七

たかす

そうしち

Edo

The Chōki print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #25-203

Chōki, Eishi,

Kiyonaga, Shunchō,

Toyohiro,

Toyokuni I, Utamaro,

Utamaro II

Andreas Marks gives

the dates as ca. 1793

to the 1810s.

Takemura Hideo

Marks #524

竹村秀雄

たけむらひでお

Yokohama

There is no link to this

Hodo print shown above.

Marks seal #26-155

Hodo & Kōitsu

Andreas Marks gives

the dates as ca. 1926-1939

Tamaya Sōsuke

(Seal name:

Tamasō 玉惣)

Marks #528

玉屋 惣助

たまや

そうすけ

Edo/Tokyo

Marks seal #25-145

Marks notes that this seal

was used in 1849. This

does not agree with the date

of the print to the left which

is from 1868.

Kuniyoshi, Toyokuni III,

Yoshifuji, Yoshiiku,

Yoshikazu, Yoshitoshi

Andreas Marks gives

the dates as ca. 1847-68

Tamura Tetsujirō

Marks #531

田村鉄治郎

たむら

てつじろう

Tokyo

The image to the

right is from the Lyon Collection.

Click on the image

to see more information.

Marks seal #26-120

Chikashige,

Kunichika

Andreas Marks gives

the dates as ca. 1876-78.

Tenmaya Kihei

(Seal name: Tenki

天喜; firm name

Kinkadō 金華堂

Marks #536

天喜

or

天満屋喜兵衛

てんき

or

てんまや

きへい

Osaka

Marks seal #26-155

Marks notes that this seal

was used between

1826-1838.

Ashiyuki, Hironobu,

Hirosada, Hokucho,

Hokuei, Hokusetsu,

Hokushū, Kiyokuni,

Kunhiro, Nobuharu,

Nobuhiro, Nobukatsu,

Nobumasa, Sadahiro,

Sadamasu, Sadanobu, 

Sadayoshi,  Shibakuni,

Shigeharu, Shigenao,

Toshikuni, Toyohide,

Umekuni, Yoshikuni

Andreas Marks gives

the dates as ca. 1816-60

Izutsuya Denbei's seal

appeared along with that of Tenmaya Kihei on a

Yoshikuni diptych in 1825.

The image to the

right is from the Lyon Collection.

Click on the image

to see more information.

Marks seal #24-035

Marks notes that this seal

was used in 1836.

Tōseidō

Marks #U345

東盛堂

とうせいどう

Edo

The image to the

right is from the Lyon Collection.

Click on the image

to see more information.

Marks seal #12-043

Gengyo,

Kuniyoshi,

Shigemitsu

Andreas Marks gives

the dates as ca. 1847-50.

Toshikuraya Shinbei

formerly referred to as Toshin

(aka Tokuraya Shinbei)

Marks #539

(Seal name -

Rishin/Toshishin

利新)

利倉屋新兵衛

としくらや

しんべえ

Osaka

One more point:

This  Hokushū print is often

shown without any publisher's

seal.

The image to the

right is from the Lyon Collection.

Click on the image

to see more information.

Marks seal #25-553

Marks notes that this seal

was used between

1821-1823.

Ashihiro, Ashikuni, Ashiyuki, Chikakuni, Hashikuni,

Hikokuni, Hokuchu,

Hokusei, Hokuyō,

Hokushū, Kunihiro, Kuninao, Shibakuni, Shigeharu, Shigenobu, Shuncho, Shunkō,

Shunei, Shunshi,

Tamikuni, Utakuni, Yoshikuni

Andreas Marks gives

the dates as ca. 1815-38

Toshikuraya Shinbei was also

known to have published with

Ariwaradō Chūbei in 1819,

at least.

Toyoshimaya Bunjiemon

(Seal name: Toshimaya

冨嶋屋; firm name

Bukindō 文錦堂;

familly name

Ōbatake Bunjiemon

大畠文治右衛門)

Marks #543

豊嶋屋文治右衛門

とよしまやぶんじえもん

Nagasaki

The Shunshō print to the

right is from the Lyon Collection.

Click on the image

to see more information.

Marks seal #01-109

Marks notes that this seal

was used between 1786-91.

Shunkō, Shunshō

Andreas Marks gives

the dates as

1750s to ca, 1859.

Tsujiokaya Bunsuke

(Seal name -

Tsujibun 辻文;

firm name -

Kinshōdō 金松堂;

family name -

Tsujioka Bunsuke 辻岡文助)

Marks #548

辻岡屋文助

つじおかや
ぶんすけ

Edo

There is no internal link to this

Kuniyoshi print shown above.

However, if you want to see more information about this image click

on the print to see what  it says

about the print in the

Lyon Collection.

Marks seal #21-228

Eitaku, Fujiyoshi,

Fusatane,

Ginkō, Hirokage,

Hiroshige II, Hiroshige III,

Kuniaki II, Kunichika,

Kunihisa II, Kunisada II,

Kunisato, Kunitaka,

Kuniteru, Kuniteru II,

Kuniyasu,

Kuniyoshi, Kyōsai,

Nobukazu, Sadahide, Toshihide,

Toyokuni I,
Toyokuni III,

Yoshifuji, Yoshiharu,

Yoshiharu II,

Yoshiiku, Yoshikazu,

Yoshimitsu, Yoshimune,

Yoshitoshi, Yoshitoyo,

 Yoshitsuya

Andreas Marks gives the

dates of ca. 1814 to ca. 1896

"Tsujiokaya Bunsuke published actor prints by Toyokuni beginning around 1814. His output decreased significantly during the late 1820s and early 1830s. In the late 1830s and early 1840s, he picked up again and became more active by issuing some minor series of Kuniyoshi and Kunisada respectively. But it was not until the late 1840s when Tsujiokaya's business finally boomed through issuing Kunisada's actor prints." In the fourth month of 1852 he took over the publishing firm of Tsuru-ya Kiemon. (See that listing below.) In the mid-1850s Tsujioka started publishing illustrated books and in time this became a more important factor than the production of prints. Source and quotes from Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680-1900 by Andreas Marks, p. 262.

The print shown to the right is not one we have offered. The image  has been sent to us from the Eikei (英渓) Collection. We are grateful for this contribution to our site

This example comes from a different

 print than the one being shown.

Marks seal #23-066

The print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #01-107

Marks notes that this seal

was used between

1814-1852.

Tsujiokaya Kamekichi

(Seal name -

Tsujikame 辻亀;

seal names -

Kinkidō 錦亀堂,

Tōsendō 島鮮堂;

family name -

Tsunajima Kamekichi

綱島亀吉)

Marks  #549

綱島亀吉

つなじま

かめきち

Edo/Tokyo

Beisaku, Chikanobu,

Chikashige, Eitaku,

Fusatane, Ginkō,

Hiroshige III,

Kunichika, Kunimatsu,

Kunisada III, Kuniteru,

Nobukazu, Seisai,

Shigekiyo, Toyokuni III,

 Toyonobu, Yoshiiku,

Yoshitora,  Yoshitoshi, Yoshitora, Yūsai Toshiaki

Andreas Marks gives the

dates of ca. 1866 to 1918.

The print shown to the right

is from the Lyon Collection.

Click on it to see

the full page devoted to this print.

Tsujiya Yasubei

(Seal name -

Tsujibun 辻安;

firm name -

Kinkaidō 錦魁堂)

Marks #550

辻屋安兵衛

 つじや

やすべい

Edo

The print shown to the right is not one we have offered. However, it has a publisher's seal which we want to display for your information.  The image was sent to us from our contributor ED.  We are grateful for this addition to our site.

Marks seal #25-418

Marks notes that this seal

was used between

1842-1861.

Shinsai Eishō,

Fusatane, Hiroshige,

Hiroshige II, Kunichka,

Kunihisa II, Kunimori,

Kunimori II,

as Kunisada & Toyokuni III,

Kuniyoshi, Hōrai Shunshō,

 Yoshitora, Yoshitsuna

Andreas Marks gives the

dates of ca. 1842 to 1/1863.

The carver Hori Shōji worked
for this publisher in 1858.

The print to the right is

the top half of a vertical

diptych. To see the whole thing,

click on it.

Unlisted in Marks

The print to the right is
by Hiroshige and is in
the collection of  the
Museum of Fine Arts,

Boston. Click on it to

see more information.

Unlisted in Marks

Tsunokuniya Isaburō

Marks #552

(Seal name - Tsurnoi 津ノ伊)

津伊

(津國屋

伊三郎)

つのい

(つくにや

いさぶろう)

Edo /Tokyo

Marks seal #21-188

Kunichika & Yoshitoshi

Andreas Marks gives the

years ca. 1857-1869.

The carver Hori Chō worked on blocks for Kunichika for this publisher in 1868 as did
Horikō Ushinosuke. Hori Yasu, Hori Uta and Hori Ushinosuke

also worked for this house.

There is a print in the

Museum of Fine Arts,

Boston from 1869

on which both

Kunichika and Yoshitoshi

collaborated.

Tsuruya Kiemon

(Seal name - Tsuruki 鶴喜;

firm name - Senkakudō 僊鶴堂;

family name -

Kobayashi Kiemon 小林喜右衛門)

Marks #553

鶴屋喜右衛門

つるや

きえもん

Edo/Tokyo

The print shown to the right is not one we have offered. However, it has a publisher's seal which we want to display for your information. The image  has been sent to us from the Eikei (英渓) Collection. We are grateful for this contribution to our site

Marks seal #22-066

Marks dates this seal

from the 1820s to 1841.

Chōki (b),

Eisen (b),

Eizan (b),

Harunobu,

Hiroshige (b),

Hokusai (b),

Kiyoharu, Kiyomasa,

Kiyomasa II, Kiyomasu II,

Kiyomine, Kiyomitsu I,

Kiyomitsu II,

Kiyonaga (  b),

Kiyonobu II,

Kiyotsune (b),

Kunimaru (b),

Kunisada, Kunimasa,

 Kuninao (b),

 Kuniyasu (b),

Kuniyoshi, 

possibly Kyōsai,

Masanobu (b),

Masayoshi (  b),

Sadafusa,

Sadahide (b),

Sadakage (b), 

 Sadatsuna,

 Senchō (b),

 Shigemasa (b),

Shunchō,

Shundō (b),

Shun'ei,

Shundō (b),

Shunjō,

Shunshō, Shunsui,

Shuntei (  b),

Sudatora,

Toyokuni I (b),

 Toyoshige (b),

Toyonobu,

Utamaro, Utamaro II,

Yasuhide (b)

possibly Yoshiiku,

 Yoshimaru (b)

A (b) means as a

 book illustrator sometimes

along with woodblock prints.

As early as the 1620s or earlier to as late as 1852.

Again in ca. 1870 to 1898.

Andreas Marks in his Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680-1900 (p. 190) tells us that this firm was one of the longeset lasting. They started out printing books. "In the 1670s, he published the first picture albums by Moronobu." In 1807 Tsuruya published the first prints by Kunisada. That was the same year the firm was part of the Picture Book and Print Publishers Guild and the Book Publishers Guild. "In 1811 and 1813, Tsuruya functioned as gyōji (censor) for the guild, following regulations by the government that attempted to control the market better." The most successful book they ever printed was the so-called 'Country Genji' authored by Ryūtei Tanehiko and illustrated by Kunisada. However, its success also got them into trouble with the authorities. Tsuruya "...was not able to recover from the complications with the 'Country Genji' and his business was taken over by fellow publisher Tsujiokaya Bunsuke in the fourth month of 1852. From this point on there are no more prints by Tsuruya, but books appear again starting around 1870 by Tsuruya Kiemon. In which way this Tsuruya is related to the previous is unclear."

In the 1830s Tsutaya Kichizō co-published a series of Kuniyoshi landscape prints with Tsuruya Kiemon. Both of their seals appear on each of these prints. Nishimuraya Yohachi collaborated with Tsuruya Kiemon and Jōshuya Jūzō on a Hokusai suguroku print in the 1820s.

An anonymous contributor has sent us this book illustration by Hasegawa Settan which shows the front and interior of  the shop of Tsuru-ya Kiemon.

Click on the image ot see a page with a larger detail.

This is not the publisher's seal, but rather one of their logos.

The image to the right by Toyokuni I gives and alternate seal which we have not offered yet. This was contributed to this site by my friend Mike.

Click on the image to see

a page with a larger detail.

Tsuruya Kinsuke

(Seal name - Tsurukin 鶴;

firm name - Sōkakudō 雙鶴堂;

family name - Iijima Kinsuke
飯島金助)

Marks #554

鶴屋金助

つるや

きんすけ

The image to the right by Toyokuni I is from the Lyon Collection.

Click on it to learn more.

Marks seal #06-002

This seal was used

throughout the existence

of this publishing house.

Eisen,

Eizan,

Hokusai (b),

Kunihisa,

 Kunimaru (b)

Kunimitsu (b),

Kuninao (  b),

Kuninobu (b),

Kunisada (  b),

Shuntei, Toyohiro,

Toyokuni I, Toyokuni II,

Tsukimaro (b),

Utamaro,

Utamaro II,

 Yoshimaru (b)

A (b) means as a

 book illustrator sometimes

along with woodblock prints.

Andreas Marks gives the

dates of ca. 1797 to 1824

We have a question: Mark gives the last date for this publisher as 1824. But Toyokuni I didn't die until 1825. Then how could this house have been the publisher of works by Toyokuni II?

The image to the right by Hokusai

is in the collection of the

Museum of Fine Arts, Boston.

Marks seal #21-083

This seal was used in 1806

Tsutaya Jūzaburō

(Seal name - Tsutajū

蔦重, 

firm name - Kōshodō

耕書堂;

family name - Kitagawa Jūzaburō

喜多川重三郎)

Marks #555

蔦屋重三郎   

つたやじゅうざぶろう

Edo

The print shown to the right is not one we have offered. An anonymous correspondent has been kind enough to let us display it.

It shows the interior of Tsutaya's shop as it appeared in 1799 in the Ehon azuma asobi or 'Picture Book of the Pleasure Sports of the Eastern Capital' illustrated by Hokusai.

(This is from information

provided by Andreas Marks.)

Marks seal

closest to #03-001

Chōki (b),

Eisen, Eizan,

Eishi, Fusanobu,

Harumachi, Hidemaro,

Hiroshige, Hokuba,

as both Sori & Hokusai,

Kiyomasa, Kiyomitsu,

Kiyonaga ( b),

Kiyotsune (b),

Koryūsai,

Kunimaru ( b),

Kunimitsu (b),

as both Kunisada &

 Toyokuni III, Kunimasa, 

Kuniyasu, Kuniyoshi,

Masanobu (b),

Masayoshi ( b),

Sharaku,

Shigemasa ( b),

Shikō,

Shunchō, Shun'ei,

Shunman,

Shunsen (b),

Shunshō ( b),

 Shuntei (b),

Suzuki Rinshō,

Tōrin III

Toyokuni I ( b),

Toyokuni II,

 Tsukimaro (b),

Utamaro (b),

 Yoshimaru (b)

A (b) means as a

 book illustrator sometimes

along with woodblock prints.

Started publishing in 1774

and continued to as late as

1847-52 or later

(This last date is from a seal

found on a Toyokuni III

triptych in the Boston MFA.)

There is a Kunisada triptych in the Museum of Fine Arts, Boston that shows the publisher seals of both this house and that of Enomotoya Kichibei. One additional complicating factor is that both Tsutaya Jūzaburō and Tsutaya Kichizō used almost the same seal. These are not easily distinguishable.

"Tsuta-ya Jūzaburō is notable for having established a commanding and innovative presence in the Edo publishing world. He... is credited with 'the gift of discovering genius', particularly that of Utamaro. At various times he offered lodgings to Kyokutei Bakin, Santō Kyōden and Utamaro.... Tsuta-ya Jūzaburō... was born in the Yoshiwara pleasure quarter in 1750. [He died in 1797.] In 1773 opened a bookshop at the entrance to the quarter selling the guidebooks, or Yoshiwara saiken, published by the firm of Urokogataya Magobee, which had been in business since 1660. The following year he launched his career as a publisher with a courtesan critique, and in 1775 he produced his own guide to the Yoshiwara. In doing so he was probably taking advantage of the fact that Urokogataya Magobee was at the time beset by problems connected with a copyright infringement case..." For years Tsutajū competed head to head with Urokogataya for the Yoshiwara saiken market. Urokogataya lingered on until 1803 when they ceased publishing. "Well before this, however, he had begun to branch out, employing artists such as Katsukawa Shunshō to illustrate his guidebooks, and from 1776, publishing illustrated books on haikai poetry, ehon and sharebon." In 1783 he moved away from the Yoshiwara to a larger and permanent home.

In the 1780s he published poetry and light fiction, but in 1791 the new conservative government came down hard on him. "In that year, he published three of Santō Kyōden's sharebon. These were subsequently made an example of by the new régime in power... with the result that not only was Kyōden punished but also Tsutajū, who had gone through the correct procedures to gain permission to publish, had half his wealth confiscated, and the gyōji, or guild officials, were banished from Edo." After this Tsutajū left the guild he was working with and "...joined the guild of 'serious books'." Supposedly he did this more for financial reasons - he could now raise new capital to replace some of what he had been fined - than to clean up his act. "...the main focus of his activity in the early 1790s was actually not 'serious' publishing, but single sheet ukiyoe prints of beauties and actors by Utamaro, Sharaku and others." In 1794 he bought up the blocks for some illustrated books published by others, moved their seals and put his own on them. In 1796 he came out with his own new original publication in this field. "Although the firm survived for some years under the chief clerk, it lacked the entrepreneurial energy that had propelled it from obscurity..."

Source and quotes from: The Book in Japan: A Cultural History from the Beginnings to the Nineteenth Century by Peter Kornicki.

Andreas Marks in his Japanese Woodblock Prints: Artists, Publishers and Masterworks 1680-1900 (p. 204) says: Tsutaya Jūzaburō is probably the best known publisher today, mainly because of his forerunner position and connection to Utamaro and Sharaku." The first artist he published was Shigemasa in 1774. "In 1775, or perhaps already in 1774, Tsutaya joined the publisher Urokogataya in regularly issuing the 'Guide to the Yoshiwara' (Yoshiwara saiken). In fall of 1776, Tsutaya took over and continued these guides on a regular basis until 1836." In 1783 he took over the business of Maru-ya Kohei. This was also the first year he published works by Utamaro. After Jūzaburō I died in 1797 his chief clerk Yūsuke took over and continued the business operations the way they had been. He also adopted the name Jūzaburō II. Marks adds that "After the 1810s, only a very few publications appeared." In 1807 Tsutaya was listed as a member of the Picture Book and Print Publishers Guild and the Book Publishers Guild. The head of the firm acted as a print censor in 1811, 1812 and again in 1813. "In 1833 Jūzaburō II passed away and shortly thereafter, in 1837, Jūzaburō III died. The business was continued by Jūzaburō IV..." In 1852 it was taken over by Yamada Shōjirō. [That firm is listed further down this page.]

Tsutaya Jūzaburō's seal is an ivy leaf befow the three peaks of Mt. Fuji.

 In 1834 Kyokutei Bakin wrote: "Tsutaya Jūzaburō was admired by many talented persons, and his publications were appreciated by the Edoites. Business went well and within 10 years, his publishing house became one of the outstanding jihon don'ya. Many men were known to bankrupt themselves through their decadent lifestyles in Yoshiwara and it was rare that someone from Yoshiwara made a fortune."

Tsutaya Kichizō

(Seal name -

Tsutakichi 蔦吉;

firm name -

Kōeidō 紅栄堂;

family name - Hayashi Kichizō 林吉蔵)

Marks #556

蔦屋吉蔵

つたや
きちぞう

Edo/ Tokyo

The Toyokuni I print to

the right is from the

Lyon Collection.

Marks seal #03-004

Marks notes that this seal

was used between  the

1820s-1861.

Chikanobu, Eisai,

Eisen (b), Ginkō,

Hiroshige, Hiroshige II,

Hiroshige III, Ikkei,

Kagematsu (b),

Kunichika,

Kunimaro (b),

Kunisada (b),

Kunisada II,

Kunisada III,

Kunikiyo,

Kunitama,

Kuniteru, Kuniyasu,

Kuniyoshi, Rinsai,

Sadahide (b),

Sadatora,

Senchō (b),

Shosai, Sūgakudō,

Toshinobu,

Toyokuni III (b),

Yoshiharu II,

 Yoshimaru (b),

Yoshitora,

Yoshitoshi, Yoshitsuna,

Yoshitsuru I, Yoshitsuya

A (b) means as a

 book illustrator sometimes

along with woodblock prints.

Andreas Marks gives the

dates of ca. 1820 to 1890

The carver Hori Gin worked
for this publisher. As did Hori Shōji
in 1852-1855 and
 Hori Take in 1852

and 1853-54 and 1865. Hori Sen in 1852.

There are Hiroshige prints in the Museum of Fine Arts in Boston published by Jōshūya Jūzō that were originally published by Tsutaya Kichizō. In the 1830s Tsutaya Kichizō co-published a series of Kuniyoshi landscape prints with Tsuruya Kiemon. Both of their seals appear on each of these prints.

The print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #23-059.

It was used between

1832-36.

The print to the right

is from the

Museum of Fine Arts, Boston.

Click on it to go to its

full page.

This seal is closest to

Marks seal #25-427.

It was used between

1860-67.

  Uemura Yohei

 (seal names -

Uemura 上村

and Ueyo 上与)

Marks #564

上村与兵衛

うえむら

よへえ

Edo

The print is shown courtesy

of my friend Mike.

I am truly grateful.

Click on the image to see

a page with a larger detail.

 Marks seal #25-297

Marks notes that this seal

was used in 1796

and 1810.

Eisen, Kiyonobu II,

Kunimaru, Kunimasa,

Kunisada, Kunitora, Kuniyasu,

Kuniyoshi, Shun'ei,

Tsukimaro,

Toyokuni I, Utamaro

Andreas Marks gives the

dates of ca. 1750s to 1832

Edo

The print to the right is

from the Lyon Collection.

Click on it to go to its

full page.

Marks seal #05-007

Marks notes that this seal

was used between  the

1813-1832.

Uoya Eikichi

2 variants shown

Marks #442

(Marks says this

is an erroneous misattribution

based on an incorrect reading

of this name. It should

be Sakanaya Eikichi.

See that entry on our

N thru S publishers page.)

魚屋栄吉

うおや
えいきち

Edo

There is no link to the

Toyokuni III print shown above.

Hiroshige, Hiroshige II,

Kunisada II, Toyokuni III,

Yoshimori

As early as 1855 or earlier to

as late as 1866 according to

Andreas Marks.

Hori Take carved for them

from 1857-59.

There is no longer a link

to the print shown above.

CLICK ON THE

BACK OF THE BAREN SHOWN ABOVE TO GO TO FIRST PUBLISHERS PAGE WHERE THEY ARE ARRANGED ACCORDING TO SHAPES!